The ever busy Barbican Centre introduced a new event – Sound Unbound, The Barbican Classical Weekender.
Over the course of two days there were more than 80 concerts, musical vignettes, debates, films and anything else you can think of, all related to classical music – but in its different forms and incarnations from ancient to contemporary, mixing different arts and themes to countless interesting experiences.
Here we sent Sabine our “Bee In London” to find out more.
Hats off to the organizers for coming up with a program that combined world-class and renowned artists like the BBC Symphony Orchestra, Thomas Gould and Max Richter with young musicians of the Britten Sinfonia school. I was lucky enough to dedicate almost my whole Saturday to look into what the Sound Unbound had to offer.
That meant intently visiting things that sounded intriguing from the schedule to others that I could just stumble on by chance. I stayed from 10 am to 10.30 pm at the Barbican and in that time I saw
Inuksuit for 9 to 99 percussions on the Lakeside terrace,
Singum Saxophone Quartet in the foyer
The Big Bang: BBC Symphony Orchestra at the Barbican Hall
Psycho Horror: Hitchcock Etudes for piano, soundtrack and film at the Cinema 1
Voxes8: Lux at the St. Giles’ Cripplegate church
Omo Bello: in Love with French Romantic Song in the foyer
Max Richter’s Vivaldi Recomposed

(r) beautiful Omo Bello ( photo by Eric Lahmann)
I am a very organized person and this means that most of the time I know in advance what I will get, when I will see a movie, a concert, or a theatre play. So with the Sound Unbound festival I appreciated the chance to be surprised, to broaden my horizons and to feel like an explorer of the vast musical smorgasboard that the Barbican put on display, nibbling on a bite here and there.

cake and choral with voces8.com

Max Richter with Thomas Gould (photo by Eric Lahmann)
It was a chance to discover old and new music and explore the unusual surroundings, the venues and architecture, enhancing the music with different dimensions.
The artists made little introductions to the pieces they were performing so the experience was not only visceral but educational.
I hope that the Barbican will be able to make this a recurring event. I for one, would love to come back for it.
www.barbican.org.uk/soundunbound
Read more of Sabine’s reviews here:
How To Do The Berlinale – an insider’s tips
Theatre Review: Sea Wall with Andrew Scott
[…] REVIEW: Sound Unbound Festival at the Barbican […]